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Εγώ πάλι βρήκα το τέλος του the mist... αχαρακτήριστο… Και επειδή είμαι μάνα σκέφτομαι πως ουδέποτε θα μπορούσα να κάνω αυτό που έκανε ο πρωταγωνιστής… Δεν αναφέρω τι για να μην χαλάσω το σασπένς σε όσους δεν το έχουν δει.

Μου δημιουργήθηκε ένας απίστευτος εκνευρισμός, μία λύπη… ούτε να το ξαναδώ όμως

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Ναι συμφωνώ είναι απ τα πιο λυπητερά τέλη που έχω δει σου δημιουργεί πολύ άσχημο συναίσθημα .

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PAIDIA LATREIS KAI EGW TWN TAINIWN TROMOY KATATYXH VRHKA TO SITE KAI AMESWS MPHKA ...THA HTHELA RE PAIDIA NA RWTHSW PALIES TAINIES TROMOY POY EINAI DYSKOLO NA TIS VROYME SE DVD CLUB YPARXOYN KAPOY NA TIS KATEVASOYME ME ELLHNIKOYS YPOTITLOYS???

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Πολύ παλιές ταινίες τρόμου είναι δύσκολο να βρεις σε dvd club

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Μου δημιουργήθηκε ένας απίστευτος εκνευρισμός, μία λύπη… ούτε να το ξαναδώ όμως….

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Ναι συμφωνώ είναι απ τα πιο λυπητερά τέλη που έχω δει σου δημιουργεί πολύ άσχημο συναίσθημα .

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Αγαπητοί μου ξεχνάτε δύο πράγματα:
Πρώτον ότι ΕΤΣΙ γίνεται πολλές φορές και στην ζωή - εκτός βέβαια εάν θέλετε να δείτε το παιδί σας να το τρώει ένα λιοντάρι ζωντανό...
Δεύτερον δεν πιάσατε την τραγική ειρωνεία - στην αρχή με το που μπήκαν στο σούπερ τι είχε γίνει με την άλλη μάνα; Που την βλέπουμε στο τέλος;;;
Τελικά γιατί βλέπετε θρίλερ;;;
Για να δείτε ζόμπια να τρώνε τους κακούς;;;
Δεν σας πέρασε ποτέ από το μυαλό ότι μπορεί να συμβεί και στην οικογένεια σας αυτό;;;
ΚΑΙ ΝΑΙ, έχουμε μία ταινία η οποία το λέει ξεκάθαρα...
Μπήκε πολύ βαθιά με την σκηνοθεσία και το σενάριο της, στην ψυχολογία σας και κατάφερε "κάτι"...

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Αγαπητοί μου ξεχνάτε δύο πράγματα:
Πρώτον ότι ΕΤΣΙ γίνεται πολλές φορές και στην ζωή - εκτός βέβαια εάν θέλετε να δείτε το παιδί σας να το τρώει ένα λιοντάρι ζωντανό...
Δεύτερον δεν πιάσατε την τραγική ειρωνεία - στην αρχή με το που μπήκαν στο σούπερ τι είχε γίνει με την άλλη μάνα; Που την βλέπουμε στο τέλος;;;
Τελικά γιατί βλέπετε θρίλερ;;;
Για να δείτε ζόμπια να τρώνε τους κακούς;;;
Δεν σας πέρασε ποτέ από το μυαλό ότι μπορεί να συμβεί και στην οικογένεια σας αυτό;;;
ΚΑΙ ΝΑΙ, έχουμε μία ταινία η οποία το λέει ξεκάθαρα...
Μπήκε πολύ βαθιά με την σκηνοθεσία και το σενάριο της, στην ψυχολογία σας και κατάφερε "κάτι"...

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* Ειρήνη *

Θα σε παρακαλούσα μόνο να γράφεις με ελληνικούς χαρακτήρες κι όχι με λατινικούς (greeklish) έτσι ώστε τα μηνύματα σου να είναι πιο ευανάγνωστα.

In anticipation of my resurrection...

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Να μην αναφέρω επίσης την «κυριούλα» που παίζει την Θεούσα στο συγκεκριμένο έργο…

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Είναι κάτι απόλυτα κοινό στις μεσοδυτικές πολιτείες των ΗΠΑ...
Άλλωστε και ότι συμβαίνει είναι ένα είδος αποκάλυψης - αφήστε δε που οι αντιδράσεις του κοινού είναι τμήμα των αντιδράσεων του λαού...
Για φαντάσου στην θέση της "κυριούλας" ένα πάστορα ή ένα ιερέα...

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Σε καμία περίπτωση δεν βλέπω θρίλερ για να ψυχοπλακωθώ

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Αγκού;;;
Βλέπεις τις ταινίες με αίμα για διασκέδαση;
Μα σε αυτές τις ταινίες (εντάξει σε μερικές από αυτές) φαίνονται όλα τα συναισθήματα και όλες οι αντιδράσεις των ατόμων στις δύσκολες στιγμές...
Αντίθετα, εγώ θεωρώ ψεύτικες, μέχρι και γελοίες ΟΛΕΣ τις κοινωνικές ταινίες... Για αυτό άλλωστε δεν βλέπω καμία από αυτές...

Εγώ όμως γιατί τις βλέπω; Με κάλυψε ο OPEN

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Ταινίες θριλερ ,τρόμου κτλ τις βλέπω γιατι γουστάρω να μου ανεβαίνει η αδρεναλίνη

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Είναι κάτι απόλυτα κοινό στις μεσοδυτικές πολιτείες των ΗΠΑ...
Άλλωστε και ότι συμβαίνει είναι ένα είδος αποκάλυψης - αφήστε δε που οι αντιδράσεις του κοινού είναι τμήμα των αντιδράσεων του λαού...
Για φαντάσου στην θέση της "κυριούλας" ένα πάστορα ή ένα ιερέα...

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Wrong Turn is a 2003 horror film, directed by Rob Schmidt and written by Alan B. McElroy. The film stars Desmond Harrington and Eliza Dushku. The film was shot in Hamilton, Ontario, Canada, and was followed by Wrong Turn 2: Dead End due to its commercial success.

Plot
The film starts with two college students, Halley & Rich rock climbing in the West Virginia forest. Rich gets to the top first while Halley continues to climb. She is having trouble so she asks for help up. All of a sudden, Rich is thrown off the cliff by unseen men. The killers then start pulling Halley up, but she cuts her rope and falls. She lands next to Rich's dead body, screams, gets up and runs off into the woods. The trees around her move and three eerie laughs are heard. Halley trips over a piece of barbed wire and is dragged away by the unseen killers.

Medical student Chris Flynn (Desmond Harrington) is on his way to a job interview and is driving through the mountains of West Virginia. Due to a chemical spill in the road ahead, he decides to take a different route, leading him through an abandoned dirt road in the middle of the woods. He then crashes into a car stranded in the center of the road.

The car he crashed into belongs to a group of friends on a hiking trip, which includes Jessie (Eliza Dushku). The car's tires were punctured by barbwire strung across the road. Francine and Evan stay with the cars, while the remainder of the group goes for help, only to find an old cabin isolated in the woods. Meanwhile the two who stayed behind are killed by the cannibals. Francine goes looking for Evan and finds his ear. She is then attacked by a mountain man, getting barbed wire wrapped around her mouth. The others discover that the cabin has many grisly horrors inside, such as entrails in a fridge and body parts in the bathtub. The cabin is home to a group of cannibalistic mountain men, who are horribly disfigured due to generations of inbreeding.

The group realizes that the owners of the cabin will not be friendly. They hide within the house when the cannibals come back home. The group is forced to watch as the remains of Francine are cut up and eaten. After the cannibals fall asleep the group tries to escape but accidentally wake them. A confrontation erupts with the disfigured men and the group flee through the woods. They succeed in stealing the cannibals' truck but Scott is killed by being shot with arrows.

Then the remaining three survivors hit a dead end in the road and continue on foot, meanwhile the cannibals track them. Eventually they end up at an old watch tower in hopes of finding a radio or rangers. There they find a radio but get no response. Someone responds just as the cannibals reach the tower and alerts the cannibals to the group's whereabouts. The cannibals then proceed to burn down the tower, but the three escape by jumping into a nearby tree. Unfortunately, Carly is killed by a cannibal who swings an axe into her mouth after he climbed up the tree. The remaining two people, Chris and Jessie, make it out of the woods alive and end up destroying the cannibals and their cabin. However, at least one cannibal survives, as shown in the ending credits.

Response and Box Office
The film received mixed reviews from critics. It earned a 41% rating on Rotten Tomatoes. Many criticized it as having no originality, taking its plot from other horror films such as The Hills Have Eyes and The Texas Chainsaw Massacre. The New York Post called it a "dull, humorless slasher flick." The Boston Globe called it "A stultifying blend of The Texas Chainsaw Massacre, boot camp, and maybe The Blair Witch Project, Wrong Turn is profoundly less than the sum of its influences." Positive reviewers considered it to be a fun, scary Friday night horror film. The Detroit Free Press called said "While this movie doesn't have the warped sensibilities of 1977's similarly plotted The Hills Have Eyes, it has decent performances and genuine suspense." Also Glenn Lovell from the San Jose Mercury News praised the film quoting "Schmidt makes us flinch the old-fashioned way — by giving us a box seat to the unspeakable." The film also did moderately well at the box office, debuting at #6 with $5.1 million. The film went on to earn a total of $28.7 million worldwide at the box office.

Wrong Turn 2 (a.k.a. Wrong Turn 2: Dead End) is a 2007 Horror film which stars Erica Leerhsen, Henry Rollins and Texas Battle. It is a sequel to the 2003 Horror film Wrong Turn which starred Desmond Harrington and Eliza Dushku, and has been available on DVD since October 9, 2007. The film was commercially successful and received positive response from the critics.

Plot
One year after the events of the first film, Wrong Turn 2 opens with a contestant Kimberly, a spoiled celebrity who's running late for her appearance on a Survivor-like reality television show. Losing her bearings in the mountains of West Virginia and while complaining to her agent on the phone, she accidentally hits someone with her car. Visibly shaken, she goes to help him, unaware that the victim is a mutated cannibal. After attempting to help, "Brother" bites her lips off while the surviving cannibal from the first film, Three-Finger, cuts her vertically in half with an axe as she stumbles back to her car. The two cannibals each drag half of her body away.

As the opening titles roll, we meet with five strangers, Nina, the goth, loner girl, Jake, the athletic, kind hearted guy, Jonesy, the goofy joker, Elena, the token slut and Amber, the tough military girl. They are competing in the reality show called "Apocalypse: Ultimate survivalist" with a theme that it takes place at the end of the world. The show is hosted by retired military commander, Dale Murphy (Rollins), who makes them give up all outside communication before starting. After Kimberly doesn't show up, the show's producer Mara steps into her place. As they move into the forest, the surviving cannibal from the first movie attacks and kills one of the show's producers. He then knocks out and captures Dale.

Mara, after catching her boyfriend Michael cheating on her with contestant Elena, goes with Nina to a cabin in search of a phone. There, they witness a cannibal "Ma" giving birth, and are, in turn, spotted. The girls get out of the cabin as "Sister" kicks down the door. The two run away into the woods with the cannibals chasing them. During the pursuit, Mara is hit in the head with an axe and killed as Nina hides. One of the cannibals, "Pa", looks for her but doesn't find her. The other cannibals drive up with Mara tied to the hood of their truck and the cannibal gets in and drive off. Nina sets off to find the others.

Down by the lake, M goes back to the RV and Elena stays there to tan. A cannibal watching her in the bushes starts masturbating but is interrupted by Sister who is furious and jelous of Elena. Sister knocks him over and he sets off an alarm. Elena hears it and gets up and starts to get dressed. Sister runs out of the bushes towards Elena who trips and falls into the lake and Sister slashes her back with a knife relentlessly, killing her. She only stops when Brother comes out of the bush and they start kissing.

Back at the RV, Michael is stabbed with an arrow, taken to the cannibals' home, and later decapitated. As Three-Finger tortures Dale, he uses a moment to his advantage, manages to escape, and shoots the mutant with a shotgun.

Amber and Jonesy find Jake at a barbecue pit. As they eat the discovered meat, a crazed Nina races up and tells her story. Jonesy then realizes it has been Kimberly's leg that they've been eating after spotting her signature snake tattoo. As they run, Dale finds "The Old Man" (from the previous movie) in his cabin. Dale tells him about the cannibals and soon realizes the man is their un-mutated father. After a brief skirmish, Dale kills the old man.

Amber and Jonesy are soon after killed with arrows, while Nina and Jake get trapped, captured and brought back to the mutant's home, after discovering an abandoned mill filled with stolen, empty cars. As they torture Nina at their dinner table, feeding her with human flesh, an enraged Dale enters their compound, kills several of them, and is then killed by a spool of barbed wire that gets wrapped around his throat. Nina successfully escapes, however Jake wanders into a room where an enormous meat grinder is kept, and soon gets into a fight with Pa. Realizing she has to help him, Nina returns to the mill and along Jake kills what they believe are the last mutants by pushing them into the grinder. They then find Kimberly's abandoned sports car and drive away to safety.

As the film ends, the still alive Three-Finger feeds the newborn mutant baby Splooge Mara's finger and a bottle. His laugh is heard over the end credits.

Death Race 2000

Death Race 2000 is a 1975 cult action film directed by Paul Bartel, and starring David Carradine, Simone Griffeth and Sylvester Stallone. The movie takes place in a dystopian American society in the year 2000, where the murderous Transcontinental Road Race has become a form of national entertainment. The screenplay is based on the short story "The Racer" by Ib Melchior

Plot

In the year 2000 the United States has been destroyed by a financial crisis and a military coup. Political parties have collapsed into a single Bipartisan Party, which also fulfills the religious functions of a unified church and state. The resulting fascist police state, the United Provinces, is headed by the cult figure "Mr President" (Sandy McCallum). The people are kept satisfied through a stream of gory gladiatorial entertainment, which includes the bloody spectacle the Transcontinental Road Race, depicted as a symbol of American values and way of life.

The race is held in three segments from east coast to west, and scored both by traditional methods of timed checkpoints, and also by the fatalities ("scores") achieved by the drivers, including spectators, drivers and race crew. Scoring is 10 points for women of child-bearing age, 40 for teenagers, 70 for children under twelve and 100 for folks over 75. The winner of the race is the one who runs over the most pedestrians rather than the first to cross the finish line.[2] The cars are equipped to kill, bearing anti-personnel weaponry ranging from blades to rockets, and the drivers and their cars are themed in a manner reminiscent of the Hanna-Barbera animated series Wacky Races of the late 1960s.

Frankenstein (David Carradine) is the most celebrated racer and is the government's champion. He is reputed to be part machine, rebuilt after many crashes. He regularly battles with the other teams, particularly "Machine Gun" Joe Viterbo (Sylvester Stallone), who hates playing second fiddle.

During the race, a Resistance group led Thomasina Paine (Harriet Medin), a lineal descendant of Thomas Paine, one of the original American revolutionaries of the 1770s, is attempting to assassinate Frankenstein and replace him with one of their agents. The Resistance is assisted by Paine's granddaughter Annie (Simone Griffeth), Frankenstein's co-driver, who is intending to lure him into a planned ambush where he is to be replaced by a double. Disruption of the race by the resistance is blamed on the French by the state, who are also blamed for ruining the country's economy and telephone system.

It emerges that Frankenstein is not a willing government stooge, nor is there a single Frankenstein. The current Frankenstein is simply one of many people specially trained to race in the role. "When one is used up, they bring in another", he tells Annie. The current Frankenstein also has his own plan to end the tyranny: win the race and shake hands with Mr President, detonating a grenade which has been implanted in his prosthetic right hand.

Frankenstein successfully outmaneuvers both the rival drivers and the Resistance, and is declared the winner and sole survivor. Wounded and unable to carry out his original grenade attack plan, Annie dons Frankenstein's disguise as she plans to stab the President on the victory podium. As she greets the president as he congratulates Frankenstein while declaring war on the French, Annie is mistakenly shot and wounded by her mother. Frankenstein finally succeeds in killing the President by ramming the podium with his car.

In an epilogue, Annie and Frankenstein are wedded, and Frankenstein, now President, abolishes the race and the perverse laws of the Provinces, though he does make a point of running over an objecting (and objectionable) reporter.

Cast

David Carradine as Frankenstein
Simone Griffeth as Annie Smith
Sylvester Stallone as "Machine-Gun" Joe Viterbo
Mary Woronov as'"Calamity" Jane Kelly
Roberta Collins as Matilda the Hun
Martin Kove as'Nero the Hero
Louisa Moritz as Myra
Don Steele as Junior Bruce
Joyce Jameson as Grace Pander
Carle Bensen as Harold
Sandy McCallum as Mr. President
Paul Laurence as special agent
Harriet Medin as Thomasina Paine
Vince Trankina as Lt. Fury
Bill Morey as The Deacon of the Bipartisan Party
Fred Grandy as Herman the German
William Shephard as Pete
Leslie McRae as Cleopatra
Wendy Bartel as Laurie
Jack Favorite as Henry
Sandy Ignon as FBI agent
John Landis as Mechanic
Darla McDonnell as Rhonda Bainbridge
Roger Rook as Radio operator
Paul Bartel as Frankenstein's Doctor (uncredited)
Lewis Teague as Toreador (uncredited)

Cars

The cars in the Transcontinental Road Race each have a specific theme. Each contestant represents the fantasy of a reckless driver.

Nero the Hero - Roman. The car (a modified Fiat 850 Spider) resembles a lion complete with teeth (the historical Nero enjoyed throwing his enemies to the lions). Nero is the first to be destroyed when he runs over a booby-trapped baby planted by the resistance.
Matilda the Hun - Nazi. The car (a modified VW Karmann-Ghia) resembles a V-1 Buzzbomb and has what appears to be a rocket engine. Her car is destroyed after driving off a cliff.
Calamity Jane - Cowgirl. The car resembles a bull and runs over a matador early in the film. She is lured to a junkyard and blown up by the resistance.
Machine Gun Joe - Gangster. The car has a knife and machine gun mounted on the front. Joe is the last to die (killed by Frankenstein's grenade)
Frankenstein - His car (a modified Chevrolet Corvette) resembles a monster with red eyes, scales and teeth. He is the only one who survives the race
Many of the cars were re-bodied VW's and a few were sold after the film to museums for more than it cost to make them according to Roger Corman.

Other Media

A sequel comic book entitled Death Race 2020 was published in 1995 by Roger Corman's Cosmic Comics imprint. It was written by Pat Mills of 2000 AD fame, with art by Kevin O'Neill. The pair had already worked together on several comics including Marshall Law. The comic book, as the title indicates, took place 20 years after the movie and dealt with Frankenstein's return to the race.

The Carmageddon video game series (Carmageddon, Carmageddon 2: Carpocalypse Now and Carmageddon 3: TDR 2000) all borrow heavily from the plot, characters and car designs in this movie.

by Wikipedia

Friday the 13th is a 2009 American slasher film directed by Marcus Nispel, and written by Damian Shannon and Mark Swift. The film is a reboot of the Friday the 13th film series, whose last film was the 2003 crossover film Freddy vs. Jason. Nispel helmed the 2003 remake of Tobe Hooper's The Texas Chain Saw Massacre, while Shannon and Swift wrote the screenplay for Freddy vs. Jason. The film stars Derek Mears as Jason Voorhees, with Jared Padalecki and Amanda Righetti portraying the male and female leads, respectively. Set for a Friday, February 13, 2009 release, the film will take "elements from all three [of the first] movies".

Development

In January 2007, producers Andrew Form and Brad Fuller outlined their intended goal to bring the remake to life. Fuller and Form were approached by New Line to create a remake, but because Paramount still owned certain copyrights to the first film the remake would not be able to use anything from the original. Paramount, who wanted to be included in the remake, approached the producers and gave them license to use anything from the original films, including the title. With Paramount on board, Fuller and Form decided they wanted to use pieces from each of the first three films. Fuller stated, "I think there are moments we want to address, like how does the hockey mask happen. It’ll happen differently in our movie than in the third one. Where is Jason from, why do these killings happen, and what is Crystal Lake?" The producers expressed an interest in using the character of Tommy Jarvis and stated that they were working out an origin story for Jason that would make sense. Ultimately, it was decided that Friday the 13th would not be an origin story, but that the audience would get a sense of the history as the film progressed. The audience will see Jason transition from wearing a bag over his head—similar to Friday the 13th Part 2—to finding and actually placing the hockey mask over his face, whereas in Friday the 13th Part III he merely came out of the barn already wearing the mask.

Damian Shannon and Mark Swift, writers of Freddy vs. Jason, were announced in October 2007 to have been hired to pen a script for the remake. The film will focus on Jason Voorhees, and that he will keep his trademark hockey mask. The film is being produced by Michael Bay, Andrew Form, and Brad Fuller through Bay's production company Platinum Dunes, for New Line Cinema. Director Jonathan Liebesman was originally in negotiations to direct the remake in February 2006, but was replaced by Marcus Nispel, director of The Texas Chainsaw Massacre remake of 2003, in November 2007. Jared Padalecki signed on as the lead male who investigates what happened at Crystal Lake. Stuntman Derek Mears was hired to portray Jason Voorhees, with Amanda Righetti taking the female lead. Danielle Panabaker, Jonathan Sadowski, Travis Van Winkle, Aaron Yoo, Julianna Guill round out the rest of the cast. Nana Visitor has been cast as Pamela Voorhees, with a young Jason is to be played by Caleb Guss. The film will have its U.S. release on Friday, February 13, 2009. Principal photography began on April 21, 2008 in Austin, Texas and wrapped up on June 13, 2008.

Creating Jason
Derek Mears was required to wear full body make-up from the chest up while performing his duties as Jason Voorhees. As Mears describes it, he wore a chest plate with fake skin that would move to all muscle movement; he also wore a fake hump on his back, and was given a variation of scoliosis. A prosthetic eye was glued to Mears's face to allow for realistic movement. For his wardrobe, Mears was given a pair of combat boots and a "high priced t-shirt" that allowed the special effects make-up to be seen through the holes in the shirt. The jacket Jason wears in the film was created by combining a hunting jacket and a military jacket – Mears wanted the hunting jacket, but the creative team liked the way the military jacket, which was longer, billowed as he was making his "kill movements". The top of the hunting jacket was removed and placed over the top of the military jacket. Mears characterizes it as a "giant Frankenstein jacket". After problems with the fake nails that he had to wear for the part, Mears grew out his own fingernails for filming. Mears describes Jason as being leaner in this film, because he does not eat as much. A "leaner" Jason was deemed more functional, with more emphasis on the hump on his back.

Mears always related to "Jason the victim" when he was growing up as a child, and that was how he wanted to portray Jason in the film. To the actor/stuntman, Jason represents all those individuals that were picked on in high school for being outcasts of society—specifically those with physical deformities—only Jason exact his revenge on those that are trying to take of his territory (Crystal Lake). When Mears went in to audition for the role he was asked, "We really need an actor for this particular role. Why do we need an actor as opposed to just a guy in a mask? Explain that to us." To Mears, portraying Jason was similar to Greek Mask Work, where the mask and the actor are two separate entities, and, based on the scene, you will get variate combinations of mask and actor in the performance. According to Mears, it is all based on whether you realize that everything is made of energy, and if you are thinking something then it will transfer to what the camera picks up. Mears also relies on the people behind the camera, which he likens the experience to a NASCAR race. Mears is the driver and the effects team is his pit crew. As he is performing the role, the effects team will provide subtle suggestions as to ways that he can bring the character more to life on camera.

For this film, Jason's intelligence and thought processing is more defined. Mears likens the character to John Rambo, Tarzan and the Abdominal Snowman from Looney Tunes. Jason is similar to Rambo because the audience will see him setting the other characters up to fall into his traps. Like Rambo, he is more calculated because he feels that he has been wronged and he is fighting back. He is meant to be more sympathetic in this film.

by Wikipedia

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Ο ΙΩΝΟΣ.ΕΧΩ ΦΟΒΙΑ ΑΠΟ ΜΙΚΡΗ ΗΛΙΚΕΙΑ ΜΕ ΤΟΥΣ ΕΞΩΓΙΗΝΟΣ ΟΠΩΣ ΚΑΤΑΛΑΒΑΤΕ ΟΣΟΙ ΔΙΑΒΑΣΑΤΕ ΤΟ ΠΟΣΤ ΠΟΥ ΛΕΕΙ ΓΙΑ ΤΟ ΑΥΡΙΑΝΟ....ΕΠΕΙΔΗ ΟΜΩΣ ΕΙΜΑΙ ΛΑΤΡΕΙΣ ΤΩΝ ΤΑΙΝΙΩΝ ΦΑΝΤΑΣΜΑΤΩΝ ΣΤΟΙΧΕΙΩΜΕΝΑ ΣΠΙΤΙΑ ΒΡΙΚΩΛΑΚΕΣ Κ.Λ.Π. ΣΤΗΝ ΔΙΑΦΗΜΗΣΗ ΔΕΝ ΕΔΕΙΧΝΕ ΞΕΚΑΘΑΡΑ ΜΕ ΤΙ ΕΧΕΙ ΝΑ ΚΑΝΕΙ ΚΑΙ ΕΤΣΙ ΠΙΣΤΕΥΟΝΤΑΣ ΠΩΣ ΕΙΝΑΙ ΚΑΤΙ ΑΠΟ ΤΑ ΠΑΡΑΠΑΝΩ ΠΗΓΑ ΚΑΙ ΤΟ ΕΙΔΑ......ΑΠΟΤΕΛΕΣΜΑ ΝΑ ΕΧΩ ΦΑΕΙ ΤΕΤΟΙΟ ΧΕ... ΣΤΗΝ ΚΥΡΙΟΛΕΞΙΑ ΟΠΟΥ ΕΠΙ 4 ΜΗΝΕΣ ΚΟΙΜΟΜΟΥΝ ΜΕ ΑΝΟΙΧΤΟ ΤΟ ΦΩΣ ΚΑΙ 3 ΜΠΟΥΚΑΛΙΑ ΝΕΡΟ ΔΙΠΛΑ ΜΟΥ ΧΩΡΙΣ ΚΑΠΑΚΙ.ΤΑ 2 ΜΠΟΥΚΑΛΙΑ ΗΤΑΝ ΕΦΕΔΡΙΚΑ ΣΤΗΝ ΠΕΡΙΠΤΩΣΗ ΠΟΥ ΔΕΝ ΕΦΤΑΝΕ ΤΟ ΕΝΑ ΛΟΟΟΟΟΟΟΟΟΛ

I will dig your grave

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τοσος φοβος πια? αληθεια, γιατι να μας επηρεαζουν τοσο καποιες ταινιες?

H Δύναμη ανήκει σ' αυτους που την κατέχουν και σ' αυτούς που την αρπάζουν

Εκεί γύρω στο '95 που είχε γίνει το μεγάλο μπαμ, με τη δημοσίευση του Ροσγουελ-ο-βιντεακίου του '47, ήμουν αι πιτσιρικάς, κι είχα πάθει την πλακάρα της ζωής μου!

Μέχρι τότε φανταζόμουν τους εξωγήινους πολύ πιο τερατόμορφους, κι όμως δε μου φαίνονταν τρομακτικοί στη φαντασία μου. Αυτό που με τρόμαξε πιο πολύ τότε, ήταν ότι, ότανείδα το βίντεο της νεκροψίας, μου είχε φανεί τραγικά γνώριμη η όψη του όντος, σα να έβλεπα ένα συγγενή απ'τα παλιά, και να λέω "ναι, μωρέ, μπράβο, έτσι ήταν η φάτσα του!"...

Καλοκαιριάτικα με 40 βαθμούς, σκεπαζόμουν με σεντόνι για να μην έρθουν και με δουν! Αλλά τότε πρέπει να 'μουν 5-6...

Όταν είχε βγει ο Οιωνός είχα τσαντιστεί απίστευτα με την ηλίθια μορφή που έδωσαν στα όντα, και τις ιδιότητες του χαμελέοντα και του... κουναβιού!

Το περίεργο είναι ότι διάβαζα τότε το Alien Dawn του Colis Wilson (τρομερό βιβλίο για όσους ασχολούνται με το χώρο) ο οποίος πρόσφερε μια πολύ ρεαλιστική προσέγγιση στα διάφορα σχετικά φαινόμενα, αγγίζοντας ευαίσθητες περιοχές όπως παραισθησιογόννες ουσίες, κβαντική φυσική και τρέχα γύρευε, και όταν είδα στα making-of της ταινίας ότι εργαζόταν σε αυτήν ως σύμβουλος, μου είχε κακοφανεί πολύ.

Εν τω μεταξύ, εκείνη την εποχή έγραφα μια σχολική εργασία με θέμα τους εξωγήινους (τι εργασία δλδ... εκατόν-τόσες σελίδες βγήκε) και είχε αρχίσει υποσυνήδειτα να με βαράει λίγο, αλλά όταν είδα την ταινία συνήλθα.

Είναι περίεργο τι μπορεί να σου τη βαρέσει, και όταν το καλοσκεφτείς να το θεωρείς αστείο (πόσο μάλλον ένας τρίτος)... κι εγώ δεν καταλαβαίνω πως μπορούν να φοβούνται οι άνθρωποι τις αράχνες!

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ΕΣ ΕΔΑΦΟΣ ΦΕΡΕΙΝ ...

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Αγαπητέ/ή ArgouenVampire, μου κάνει εντύπωση που τρόμαξες με τον Οιωνό επειδή ως ταινία δεν θεωρώ ότι είναι τρομακτική και θα την χαρακτήριζα εν μέρει μια παρωδία σχετική με την επίσκεψη των εξωγήινων στην Γη.
Υπάρχουν κάποιες άλλες ταινίες του είδους - παρόλο που δε μου αρέσουν οι ταινίες με εξωγήινους κλπ - οι οποίες σίγουρα είναι πιο καλές και πιο "τρομακτικές".

In anticipation of my resurrection...

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εγω θα την ελεγα πιο "κοινωνικη" ταινια, μιας και μας παρουσιαζει μια οικογενεια και το πως αντιμετωπιζει την "εξω-γηινη" επιθεση...χωρις τα "μαγικα εφφε" και τις εκρηξεις!

H Δύναμη ανήκει σ' αυτους που την κατέχουν και σ' αυτούς που την αρπάζουν

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Είδα το mirrors πολύ καλο πρωτότυπο σαν ιδέα και τρομακτικό μετά την ταινία απέφυγα την ιδία μέρα Να κοιταχτώ σε καθρέπτη

http://www.youtube.com/watch?v=O92QxxgeCO8

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οντως, μια πολυ καλη και "τρομακτικη" ταινια για λιγους (που λατρευουν τις ταινιες τρομου)

H Δύναμη ανήκει σ' αυτους που την κατέχουν και σ' αυτούς που την αρπάζουν

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Μέχρι τότε φανταζόμουν τους εξωγήινους πολύ πιο τερατόμορφους, κι όμως δε μου φαίνονταν τρομακτικοί στη φαντασία μου. Αυτό που με τρόμαξε πιο πολύ τότε, ήταν ότι, ότανείδα το βίντεο της νεκροψίας, μου είχε φανεί τραγικά γνώριμη η όψη του όντος, σα να έβλεπα ένα συγγενή απ'τα παλιά, και να λέω "ναι, μωρέ, μπράβο, έτσι ήταν η φάτσα του!"...

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Η αλήθεια είναι πως κι εμένα μου είχαν προκαλέσει ένα είδος δυσφορίας οι εικόνες της νεκροψίας που είδα.
Όχι τόσο διότι ένιωθα πως έβλεπα ένα συγγενή αλλά γιατί αφενός λυπόμουν με το γεγονός του θανάτου κι αφετέρου διότι ένιωθα πως αυτό που βλέπω είναι κάτι το οποίο ξεγελάει τη νοημοσύνη μου.

Δεν πιστεύω ότι οι εξωγήινοι είναι τα κοντά πλασματάκια με το μεγάλο κεφάλι και τα μεγάλα μαύρα μάτια.
Εάν μου ζητούσε κάποιος να ζωγραφίσω ένα εξωγήινο ον όπως το φαντάζομαι, πραγματικά δεν θα μπορούσα.
Και δεν θα μπορούσα διότι δε νομίζω ότι υπάρχει ένα μοτίβο αλλά πολύ περισσότερα.
Κι ανάμεσα σε αυτά τα μοτίβα, είναι κι αυτό ενός όντος που μοιάζει καταπληκτικά με τον άνθρωπο στην εξωτερική εμφάνιση.

Δεν συνεχίζω άλλο όμως επ' αυτού ώστε να μην βγούμε εκτός θέματος.

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εγω θα την ελεγα πιο "κοινωνικη" ταινια, μιας και μας παρουσιαζει μια οικογενεια και το πως αντιμετωπιζει την "εξω-γηινη" επιθεση...χωρις τα "μαγικα εφφε" και τις εκρηξεις!

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Όπως και μια ανάλογη ταινία με τον Τομ Κρουζ στο ρόλο του πατέρα δύο παιδιών.
Δυστυχώς έχω "κολλήσει" αυτή την στιγμή και δε μπορώ να θυμηθώ τον τίτλο...

Για το Mirrors, συμφωνώ κι επαυξάνω!

In anticipation of my resurrection...

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Όπως και μια ανάλογη ταινία με τον Τομ Κρουζ στο ρόλο του πατέρα δύο παιδιών.
Δυστυχώς έχω "κολλήσει" αυτή την στιγμή και δε μπορώ να θυμηθώ τον τίτλο...

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Η χειροτερη διασκευη που εγινε ποτε, "War Of The Worlds"

υπηρξε και ενα σικουελ, Γ' Διαλογης, με αθλια οπτικα-ακουστικα εφφε, και παντελως αγνωστοι ηθοποιοι!

Κυκλοφορει "ελευθερο" στο διαδικτυο (μιας και ποτε δεν βγηκε στο πανι) και συντομα (μαλλον) να βγει και σε DVD ! (ως Παναγια μου...)

H Δύναμη ανήκει σ' αυτους που την κατέχουν και σ' αυτούς που την αρπάζουν

War of the Worlds 2: The Next Wave

Due to the success of the film, Asylum Production announced a sequel called: 'War of the Worlds 2: The Next Wave'. The film was released straight to DVD on March 18, 2008. It starred C. Thomas Howell (who also directed the effort) and Christopher "Kid" Reid.

Plot
Taking place 2 years after the first invasion the aliens return to complete their plan of human domination. Appearing in a town of a few survivors a new type of Martian fighter arrives and vaporises all who come across it. Unlike the originals however these appear to be able to move through space at will. Hiding out in their home that was left untouched in the first invasion George and his son hear an odd sound from the radio used to talk with others. Eventually after reaching his work station George learns that the machines were controlled away from the planet and that the reason they could not see the invasion arriving was due to the use of a type of wormhole between Earth and Mars. Throughout the course of the film George meets another soldier who had his unit wiped out and is even captured as is his son. When the invasion truly begins we see a new group of battle ships used by the invaders including a flying machine and larger metallic machines used to attack Paris. Eventually using new technology and with help from a virus an air force team travels to Mars and destroyed the invaders home.

The movie closes with the noise in the beginning of the movie playing over again in the radio during a picnic. It is unclear what happened to George's wife however she died prior to the movie. If it was due to the first invasion or not is never announced. The ending gives a possible chance for another invasion to be on its way.

by Wikipedia

Αυτές τις μέρες άρχισε να παίζεται στους κινηματογράφους μία ταινία τρόμου (μάλλον σπλάτερ τύπου χόστελ), το scar.Η ταινία είναι σε έκδοση 3d, εκτός από κάποιες αίθουσες των village παίζεται και σε άλλους κινηματογράφους αν θέλει κάποιος να την δει.
Οι κριτικές που διάβασα για την ταινία είναι απογοητευτικές(αν και ποτέ δεν έδωσα βάση στα λεγόμενα των κριτικών), χαρακτηρίζεται μέτρια στη καλύτερη περίπτωση, και ότι όποιος την δει θα την δει από περιέργεια μόνο και μόνο για το τρισδιάστατο.Εδώ που τα λέμε και γω αυτήν την περιέργεια έχω, και σκέπτομαι να πάω να την δω.Πιστεύω ότι το 3d είναι το βασικό ατού της ταινίας για να γίνει πιο μεγάλος ο τρόμος.Σαν προειδοποίηση στο τρέιλερ λένε ότι όσοι έχουν κάποιο καρδιακό πρόβλημα να αποφύγουν να την δουν.

Υπόθεση:Στη μικρή επαρχιακή πόλη Όβιντ του Κολοράντο, η ιστορία του Έρνι Μπίσοπ, του ιδιοκτήτη του γραφείου κηδειών της περιοχής, έχει αφήσει τα σημάδια της στην τοπική κοινωνία. Δεκαέξι χρόνια μετά, η υπόθεση που τρομοκράτησε τη μικρή πόλη εξακολουθεί να προκαλεί ρίγη. Ο Έρνι Μπίσοπ αιχμαλώτιζε έφηβους και τους κρατούσε στο υπόγειο του νεκροτομείου, δεμένους μέσα σε φέρετρα. Χαράκωνε, φόβιζε και τρομοκρατούσε τα ανύποπτα θύματά του και μετά τα ανάγκαζε να βλέπουν τα σημάδια στο σώμα τους μέσα από έναν μικρό καθρέφτη. Ένα από τα θύματα του Μπίσοπ, η Τζοάν Μπάροους, κατάφερε να λυθεί και σκότωσε το βασανιστή της με μία σύριγγα ταρίχευσης, βάζοντας τέλος στο βασίλειο του τρόμου και έγινε ηρωίδα στα μάτια των συμπολιτών της. Μετά το τέλος της περιπέτειάς της, η Τζόαν εγκατέλειψε το Όβιντ. Στην αρχή της ταινίας τη βρίσκουμε να επιστρέφει για πρώτη φορά μετά από δεκαέξι χρόνια για να δει την ανιψιά της να στέφεται Βασίλισσα του Χορού των Αποφοίτων του σχολείου. Με την άφιξή της όμως παράξενοι φόνοι αρχίζουν να πραγματοποιούνται ξανά. Μετά από μία σειρά συμπτώσεων, η Τζοάν θεωρείται από τις αρχές η βασική ύποπτη και οδηγείται στη φυλακή...

Πληροφορίες για την υπόθεση του έργου από εδώ και ήταν και το μόνο site που είδα καλές κριτικές.

άλλες κριτικές και πληροφορίες μπορείτε να δείτε εδώ και εδώ

Μακαρι να βγαζανε και αλλες ταινιες (και δρασης) με τρισδιαστατη "κοπια"

ή ακομα καλύτερα σε 4D (στη Γερμανια ας πουμε υπαρχουν τετοια συστηματα), που συμμετεχουν και αλλες "αισθησεις"

Ξέχασα να πω το πιο σημαντικό...Στο τέλος της ταινίας χειροκροτούσαν οι θεατές ...Έλεος!!!

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Ξέχασα να πω το πιο σημαντικό...Στο τέλος της ταινίας χειροκροτούσαν οι θεατές ...Έλεος!!!

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Να σου πω την αλήθεια, ποτέ μου δεν κατάλαβα την αιτία που κάνει κάποιους ανθρώπους να χειροκροτούν όταν τελειώνει μια ταινία στον κινηματογράφο κι όταν προσγειώνεται ένα αεροπλάνο...

In anticipation of my resurrection...

Τώρα το να το κάνουν με ειρωνική διάθεση δε νομίζω, άλλωστε μια ταινία που σε εμάς φαίνεται κακή ή μέτρια μπορεί να αρέσει σε πολλούς άλλους και το αντίθετο.

In anticipation of my resurrection...

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